The Chilean Forest - Pablo Neruda
Neruda's stunning wordsmithery to capture life inside a forest
“Under the volcanoes, beside the snow-capped mountains, among the huge lakes, the fragrant, the silent, the tangled Chilean forest… My feet sink down into the dead leaves, a fragile twig crackles, the giant rauli trees rise in all their bristling height, a bird from the cold jungle passes over, flaps its wings, and stops in the sunless branches. And then, from its hideaway, it sings like an oboe… The wild scent of the laurel, the dark scent of the boldo herb, enter my nostrils and flood my whole being… The cypress of the Guaitecas blocks my way… This is a vertical world: a nation of birds, a plenitude of leaves… I stumble over a rock, dig up the uncovered hollow, an enormous spider covered with red hair stares up at me, motionless, as huge as a crab… A golden carabus beetle blows its mephitic breath at me, as its brilliant rainbow disappears like lightning… Going on, I pass through a forest of ferns much taller than I am: from their cold green eyes sixty tears splash down on my face and, behind me, their fans go on quivering for a long time… A decaying tree trunk: what a treasure!… Black and blue mushrooms have given it ears, red parasite plants have covered it with rubies, other lazy plants have let it borrow their beards, and a snake springs out of the rotted body like a sudden breath, as if the spirit of the dead trunk were slipping away from it… Farther along, each tree stands away from its fellows… They soar up over the carpet of the secretive forest, and the foliage of each has its own style, linear, bristling, ramulose, lanceolate, as if cut by shears moving in infinite ways… A gorge; below, the crystal water slides over granite and jasper… A butterfly goes past, bright as a lemon, dancing between the water and the sunlight… Close by, innumerable calceolarias nod their little yellow heads in greeting… High up, red copihues (Lapageria rosea) dangle like drops from the magic forest’s arteries… A fox cuts through the silence like a flash, sending a shiver through the leaves, but silence is the law of the plant kingdom… The barely audible cry of some bewildered animal far off… The piercing interruption of a hidden bird… The vegetable world keeps up its low rustle until a storm chums up all the music of the earth.
Anyone who hasn’t been in the Chilean forest doesn’t know this planet.
I have come out of that landscape, that mud, that silence, to roam, to go singing through the world.”
About The Chilean Forest
This poem was first published in his memoirs titled: Confieso que he vivido " or “I Confess That I Have Lived,", In a collection of articles, the renowned poet recounts the significant episodes of his life and the circumstances that influenced his literary creations. With the same verbal prowess that defines his most celebrated works, Neruda delves into his artistic philosophy and the motivations behind his political stances. He reflects on his relationships with notable figures such as Federico García Lorca, Rafael Alberti, and Miguel Hernández and contemplates the intersections of religion and literature, while examining the historical and political significance of his homeland, which profoundly shaped his poetry. These memoirs offer a compelling narrative that captures the political, social, and cultural evolution of Latin America and enriches our understanding of Neruda not only as a poet but also as an individual deeply intertwined with the historical currents of his time.